Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Access Criminology and Criminal Justice journals now

CiteULike is a free service for managing and discovering scholarly references - click here to get started.

Sign In to gain access to subscriptions and/or personal tools.
Crime, Media, Culture
This Article
Right arrow Abstract Freely available
Right arrow Free Full Text (Free PDF) Free
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Courtney, D.
Right arrow Articles by Lyng, S.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Taryn Simon and The Innocents project

David Courtney

Florida Atlantic University, USA, davidcourtney1984{at}gmail.com

Stephen Lyng

Carthage College, USA, slyng{at}carthage.edu

The artist Taryn Simon was hired by The New York Times Magazine to photograph individuals who were wrongfully convicted, imprisoned, and subsequently freed from death row. She made images of both men and women who were exonerated by post-conviction DNA evidence. All of them were sent to prison, innocent of the crimes of which they were convicted. Most of her subjects had no criminal record. Simon's initial project eventually blossomed into a larger art exhibition that has toured several US cities in the last two years. Inspired by our viewing of Simon's exhibition and her aesthetic in constructing images of her subjects, we address one of her primary concerns: how is photography used to convict the innocent?

Key Words: appearances • art photography • mugshots • photographic seeing • political art

References

  • Baudrillard, Jean (1988) `Simulacra and Simulations', Selected Writings. Trans. Mark Poster. Stanford, CA: Stanford University Press.
  • Bazin, Andre (1972) `The Ontology of the Photographic Image', in James B. Hall and Barry Ulanov (eds) Modern Culture and the Arts, pp. 423—9. New York: McGraw-Hill.
  • Benjamin, Walter (1999) `The Author as Producer', (trans. E. Jephcon) in Walter Benjamin: Selected Writings, Vol. 2 (1927—1934), 768—82. Cambridge, MA: Belknap.
  • Boime, Albert (1987) Art in the Age of Revolution: 1750—1800. Chicago: University of Chicago Press.
  • Courtney, David (2005) `Edgework and the Aesthetic Paradigm: Resonances and High Hopes', in Stephen Lyng (ed.) Edgework: The Sociology of Risk-taking, pp. 89—115. New York: Routledge.
  • Dewey, John (1934) Art as Experience. New York: Minton, Balch and Company.
  • Goffman, Erving (1963) Stigma: Notes on the Management of Spoiled Identity. New York: Touchstone.
  • Heidegger, Martin (1962) Being and Time. Trans. J. Macquarrie and E. Robinson. San Francisco, CA: Harper.
  • Hughes, Robert (1988) The Shock of the New. New York: Knopf.
  • Kripke, Saul A. (1980) Naming and Necessity. Cambridge, MA: Harvard University Press.
  • Kundera, Milan (1999) Immortality. Trans. Peter Kussi. New York: Perennial.
  • Loftus, Elizabeth (1984) Eyewitness Testimony: Psychological Perspectives. Cambridge: Cambridge University Press.
  • Marcuse, Herbert (1978) The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston, MA: Beacon.
  • Marcuse, Herbert (1991) One-Dimensional Man. Boston, MA: Beacon.
  • Martin, Robert M. (1989) The Meaning of Language. Cambridge, MA: MIT Press.
  • Simon, Taryn (2003) The Innocents. New York: Umbrage Edition Books.
  • Sontag, Susan (1977) On Photography. New York: Picador.

Crime, Media, Culture, Vol. 3, No. 2, 175-191 (2007)
DOI: 10.1177/1741659007078542


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?



This Article
Right arrow Abstract Freely available
Right arrow Free Full Text (Free PDF) Free
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Courtney, D.
Right arrow Articles by Lyng, S.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?