Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Access Criminology and Criminal Justice journals now

Click here to sign up for SAGE Journal Email Alerts today!

Sign In to gain access to subscriptions and/or personal tools.
Crime, Media, Culture
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Williams, C. R.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Potential spaces of crime: The playful, the destructive, and the distinctively human

Christopher R. Williams

University of West Georgia, USA

Though most share an interest in answering the question, ‘What are people trying to accomplish when they commit a crime?’ criminologists have been largely reluctant to entertain the ways in which the accomplishment of crime reflects deeper, more fundamental and distinctively human capacities and needs. Of especial significance in this context are the human capacity and need for creative engagement. The interplay between human ontology, experience, and behavior gives rise to a variety of such expressions and engagements, both normative and illicit in manifestation. Where history, culture, organization, and biography erect limitations, human beings can be expected to seek out or construct alternative, at times playful and at times destructive, experiential spaces for creative engagement. Drawing from cultural criminology, existentialism, and critical humanism, these spaces are provisionally explored.

Key Words: creativity • cultural criminology • deviance • humanism • ontology

Crime, Media, Culture, Vol. 3, No. 1, 49-66 (2007)
DOI: 10.1177/1741659007074447


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?