Crime, Media, Culture

 

Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Click here for more information

Sign In to gain access to subscriptions and/or personal tools.
This Article
Right arrow Free Full Text (Free PDF) Free
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Peelo, M.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Crime, Media, Culture, Vol. 2, No. 2, 159-175 (2006)
DOI: 10.1177/1741659006065404
© 2006 SAGE Publications

Framing homicide narratives in newspapers: Mediated witness and the construction of virtual victimhood

Moira Peelo

University of Lancaster, UK

This article identifies ways in which newspapers invite readers to identify with victims and victimhood as a route to engaging them in ‘human interest’ stories. Within this framing of homicide for readers as ‘mediated witness’, some of the authorial techniques are explored whereby newspapers engage readers in a stylized dialogue that contributes to the construction of public narratives about homicide. It is argued that researchers, as well as working at a macro level, need to research at the micro level of textual analysis when researching media (including visual media) in order to understand the framing that contributes to public narratives; hence there is analysis of techniques of (a) defamiliarization and (b) objectification of homicide victims. These are some of the means by which the reader is placed as witness, both apparently ‘experiencing’ crime for personal consumption yet, publicly, allowed to recover (unlike real victims of major crime). The recognition of a need for micro-level analysis raises questions about the functions of public narratives, particularly in expressing, exploring and containing public or social emotion, in an era in which public responses to crime have been placed at the top of a highly politicized crime agenda.

Key Words: emotionality • homicide • mediated witness • narratives • social commentary • victimhood


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?